studio

Alongside my research, I maintain an artistic practice that explores how digital data, methods and infrastructures shape how we know and live together.

My recent work focuses on developing small devices and experimental formats for recomposing online media. Reindexing, layering and soundscaping serve as entry points for reconsidering and reimagining relations between ecology, technology, society and culture.

I’m interested in formats for collective inquiry and in how the Internet and digital media might support other forms of listening, witnessing, noticing and responding across places and situations.

I draw inspiration from feminist and decolonial thought and practice, as well as research on critical technical practices and critical data practices. My practice has grown through teaching and learning with the School for Poetic Computation.

My work has been shown and shared at LARPA, re:publica, Science Gallery London, transmediale and ZKM, amongst other places.

Works from the past few years include:

• vclip (2024) - a tiny tool for experimentally recompiling folders of videos
• wilding (2023) - speculative exploration of online media on forest-making and its unanticipated consequences, as part of infinite video
• forestscapes (2023-ongoing) - recomposing collections of sound materials to support “collective inquiry” into forests as living cultural landscapes (including listening labs)
• everything at the forest park (2022) - reordering search results to produce a speculative account of forest park life
• data not found (2022-ongoing) - a dataset of datasets sought but not found on data portals around the world